Jane Eyre.Wuthering Heights.The Awakening.The Lifted Veil. “The Yellow Wallpaper.” What these works have in common is, of course, that they’re all pieces of fiction written by women authors in the 19th century. Undoubtedly as a result, they all share an explicit or latent fixation with the domestic sphere to which so many women were relegated at the time — and with the psychological implications of that confinement.
These are the subjects of Julia Callon’s Houses of Fiction, a series of photographed models that depict rooms from these novels, exploring both their sedate surfaces and their chaotic subtext. “The dichotomous representation of women — mad or sane — is crucial to represent in this series,” Callon writes. “Therefore, each story is presented as a diptych: one image represents the passive, subservient woman, while the other represents ‘madness.’”
seemed an appropriate follow-up to the Marianne Moore